At Outpost VFX we aren't just after the very best talent, we're looking for people who'll embrace our way of life

All of us are positive, adaptable and ambitious, and we pride ourselves on delivering perfect work. Being by the beach doesn't hurt, either...

There are some huge things in the pipeline, so whether film, broadcast or commercials is your thing, we'd love to hear from you.

Available roles with Outpost VFX

  • Pipeline TD

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    Redshift, Golaem Crowd, Python, Deadline, Windows and Linux, UI design, solving per show render and data-flow challenges, liaising with department heads.

  • Mid-Senior 3D Generalist

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    Creative and design-oriented with strong modelling/texturing skills in Maya, Mari, ZBrush; other packages/skills are a big plus. A solid understanding of the requirements of other areas of visual effects, from modelling and lighting to rigging and animation. Pro-active, team-orientated, self-motivated, problem solver, excellent time management skills.

  • FX TD with Generalist experience

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    Solid knowledge of Houdini and/or Maya and the use of fluids, cloth, particles and/or rbd’s. Experience in creating photorealistic effects such as fire, smoke, destruction, clothing, water and dust. A good working knowledge of Redshift and/or Mantra and experience with lighting and rendering effects is an advantage. A solid understanding of the requirements of other areas of visual effects, from modelling and lighting, to rigging and animation. Pro-active, team-orientated, self-motivated, problem solver, excellent time management skills.

  • Senior Lighting Artist

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    Strong knowledge of lighting and compositing techniques, artistic principles, CG techniques, good use of colour. Experienced with Maya, RedShift (previous experience with Katana/3Delight is a plus). Pro-active, team-orientated, self-motivated, problem solver, excellent time management skills;

  • VFX Editor

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    Thorough understanding of workflows, techniques, file formats, colour-space, software and technology relating to visual effects and post production; expert knowledge of Premiere, Avid Media Composer or Final Cut X; working knowledge of Shotgun, Nuke Studio and/or Hiero would be highly desirable; proven experience ideally in a VFX or post production environment

  • VFX Producer

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    Proven track record of pitching and winning new business. Producing and managing budgets and schedules that ensure projects are completed on time and within budget. A can-do attitude and an ability to thrive under pressure. Thorough understanding of the VFX pipeline.